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电影 星期六到星期日

星期六到星期日

影片信息
  • 片名： 星期六到星期日
  • 状态： HD
  • 主演： Ladislav H. Struna  Magda Maderova  伊日娜·谢伊巴洛娃  Karel Jicínský  R.A. Dvorský  F.X. Mlejnek  Mimi Erbenová  Jan Richter  Frantisek Sauer  Míla Svoboda  Václav Menger  Leo Marten  Asa Vasátková  Milada Matysova  Josef  
  • 导演： 加斯塔夫·马哈蒂  
  • 年份： 1931
  • 地区： 其它
  • 类型： 爱情片 /
  • 时长：内详
  • 上映：于1931其它首播
  • 语言：其它
  • 更新：2023-11-29 12:40
  • 简介：　　

    　　Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. If the tale is not unusual, the telling is superb. The characters are sharply observed, with a strong sense of social context. Machaty's first talkie is a masterpiece of sophisticated early sound cinema. And the film's credits-Czech jazz founder Jezek, Surrealist poet Nezval, experimental filmmaker Hammid-provide ample proof that in pre-war Czechoslovakia, the avant-garde made significant contributions to mainstream production. (Elliott Stein)

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剧情简介

　　

　　Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. If the tale is not unusual, the telling is superb. The characters are sharply observed, with a strong sense of social context. Machaty's first talkie is a masterpiece of sophisticated early sound cinema. And the film's credits-Czech jazz founder Jezek, Surrealist poet Nezval, experimental filmmaker Hammid-provide ample proof that in pre-war Czechoslovakia, the avant-garde made significant contributions to mainstream production. (Elliott Stein)

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